Italian film, as evident in these twain examples, continues over a substantial period of time to deliberate on the World War II era and its effects. Certainly, Italy in its alliance with the Third Reich was a participant in the Holocaust and the concentration camps; Italians suffered during the war, and Italy has apparently yet to move beyond these memories. As Life is Beautiful seems to suggest, Italy and her people experienced this traumatic series of events in a unique manner ("Review: Life is Beautiful," 76).
It is quite possible that the ongoing Italian cinematic interest group in World War II and its effects reflects a society that has yet to come to terms with its past ("Review: Life is Beautiful," 76). Understanding the deep policy-making and social divisions that at present exist within Italian society may healthful require exploration of Italy's past.
Intertwined in these two films - and reflected as
Radio and Television, August 1995, 15: 387-392.
Sayre, Nora. "The Night Porter, depiction of Abuse, Stars
Anonymous. "Life is Beautiful." Queen's Quarterly, Spring
Another example of Italian film that supports the belief that Italy does possess a national cinema is 1988's Cinema Paradiso, a film by Giuseppi Tornatore. Augustus Mastri (66) says of this film that it reflects Italian social, cultural and political life in the late 1980s. The entire film, according to Mastri (67), is to the highest degree how a small Italian town and its residents experience the underlying social and cultural changes taking place in Italy from the forties through the early 1980s.
Wakeman, John. World Film Directors. New York: H.W. Wilson,
Order your essay at Orderessay and get a 100% original and high-quality custom paper within the required time frame.
No comments:
Post a Comment